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Posts tagged “Empowerment

Responding to critiques of burlesque cheat sheet

It’s no secret that I’m not a huge fan of burlesque. I think it’s a boring, overplayed example of what you might call neosexism or retro sexism — meaning that the “vintage” veneer and claims of “subversion,” “irony,” or postfeminism are meant to disguise the fact that it’s just the same old sexism that’s been going on for centuries. When it comes to burlesque, and, for that matter, anything that looks like sexism (see: pole-dancing classes, American Apparel ads, and “feminist pornography”) but is billed as not-sexist-because-women-like-it, the most useful tests to apply are these:

1) Are dudes doing it?

2) Are dudes trying to explain to you that it’s actually feminist?

If dudes aren’t doing it but are simultaneously trying to convince you that it’s liberating, empowering, or progressive, then there is a 99% chance of fuckery.

Having published the odd critique here and there, and, more generally, mushed burlesque in to the sexism-in-disguise category with the assumption that a phenomenon centered around women getting naked on stage doesn’t need all that detailed an explanation of the ways in which these performances still objectify women, even if these women are enthusiastically participating in their own objectification and the objectification of others; what I’ve learned is that it doesn’t actually matter what your critique is and how well you articulate it, because the burlesque community will respond to you in the same way every single time.

As such, I’ve compiled a helpful list of every single response you will definitely get, over and over again, every time you say anything marginally critical of burlesque. I’m not sure what the purpose of this list is except to encourage you to ignore these types of responses because there is not a single thing you can say or do to avoid them, as well as to point out the absolute unwillingness of burlesque defenders to engage in any self-reflection or critique of their fave hobby.

While the arguments can be generally summed up as: “But I like it,” I’ve provided you with more detailed responses as well. Enjoy!

1) You haven’t done enough “research”

I’ve been getting this same response for years. No matter how many burlesque shows I endure, I have never been to enough, so long as I continue to critique the phenomenon. I am told that, either, I have only seen “amateur” performances (and though I have watched plenty of awkward amateurs, I have also seen the professionals, who are equally as boring and objectified), or that I haven’t been to enough “alternative” shows.

What’s the rule here? How many burlesque performaces do we have to sit through before we are allowed to decide that, not only do we never want to sit through another burlesque performance again, but that we have good reason to avoid doing so in the future?

What this argument boils down to is that those who love burlesque refuse to believe that any other human being might not love the thing they love which, to boil it down even further, is to say: “As both the center of the universe and a petulant child, everyone must like what I like. If they don’t like what I like they are wrong and offend me by forcing me to think about the things I like and why I like them, which makes my head feel funny.”

2) You don’t understand

Similar to the “you haven’t done enough research” response, “you don’t understand” stems from an unwillingness to use (or lack of familiarity with using) one’s brain for the purposes of critical thinking. This response translates to: “You don’t agree with me/like the same things I like and I can’t come up with a logical response to your argument.”

“You clearly don’t understand burlesque” is kind of a hilarious response if you think about it, because burlesque really isn’t very complicated. What they really mean is: “You aren’t inside my head/bubble and I don’t care to acknowledge that which exists outside my head/bubble.” Again, it’s that problem of thinking about things when one doesn’t particularly like thinking about things issue.

3) Anything I do that makes ME feel good is feminist! (FUCK YEAH)

I don’t have much to say about this response. It can be easily addressed by repeating this handy mantra: “Just because you like it, doesn’t make it feminist.”

Which is not the same thing as saying you can’t like it. I like all sorts of things that aren’t feminist, despite the fact that I am a feminist. I just don’t pretend like my undereye concealer is some kind of radical movement. Patriarchy does not live in my undereye circles, nor will it go away if I appear less tired/sickly.

4) But there are women in the audience! Women erase sexism!

As we’ve learned from things like “feminist pornography” and pole dancing classes — just because women are doing things that are sexist or rooted in misogynist practices, doesn’t negate the sexism.

Women internalize the male gaze. You probably notice the way you look at women on the street — I do. When we watch things like film, television, and pornography, as well as when we look at ads, we are looking through a male lens. So we all learn to adopt the male gaze. When women’s bodies are objectified on screen or in American Apparel ads, we learn to see women as objects. We do this regardless of whether or not we are men.

The male gaze is still present even when there are women in the audience. Women go to strip clubs too — does that suddenly make strip clubs feminist? Does that mean the women performing at the strip club aren’t being objectified when women are looking?

This argument makes no sense but is brought up again and again with aplomb as though it’s never occurred to us before and will BLOW OUR MINDS into little tiny pieces.

You are welcome to spend an hour trying to explain the male gaze to these people, but at the end of the day I’m not sure they care. If they did they probably wouldn’t be doing burlesque in the first place.

5) Boylesque

Repeat after me: The exception does not make the rule.

You can reuse this argument in response to classics such as these:

–  but women abuse men too

–  but men are prostitutes too

–  but men post sexy selfies too

–  but men do strip shows too

–  but women take up too much space on the bus sometimes too

6) Different body types in burlesque = feminism

I appreciate the representation of bodies that aren’t skinny white ones. I really do. BUT women who are not skinny and white are objectified and sexualized too. I find it very odd that people think that, somehow, if you objectify bigger bodies or if you objectify women who aren’t white, this is somehow progressive.

7) If you don’t like burlesque then don’t go to burlesque shows

OK, deal. I promise to never intentionally go to a burlesque show ever again so long as you promise not to objectify women in order to sell your “art.” No deal? How about I don’t have to stare at ass while reading my local paper? Or how about every single lefty or feminist fundrasier ever doesn’t include a burlesque performance? Also no? Aw man. I feel like we’re going to have to keep talking about this then, eh?

8) You are turning me into an object by talking about the objectification of women

This is a tricky one. So, this is the same as telling people who point out racism that they are being racist. In talking about the objectification of women, we are not, in fact, turning anyone into an object. Pointing out that women’s bodies and body parts are treated as and viewed as things which exist to-be-looked-at doesn’t reinforce that phenomenon — rather it is critical of it.

In making this argument (that those who point out objectification are actually doing the objectifying), you are asking people to stop thinking and to stop speaking up about inequality. Which makes you a reinforcer of the status quo. Bad move!

9) I’m not being objectified because I choose to objectify myself

So, everyone makes choices. Sometimes and often those choices are limited by our place in society and the culture and systems that surround us. Choosing to prostitute oneself, for example, does not make prostitution a feminist industry. It also doesn’t mean that you are responsible for patriarchy or men’s sense of entitlement around access to women’s bodies; but simply inserting the word “choice” into a sentence doesn’t actually change the meaning or root of the action or situation. I “choose” to watch The Real Housewives of Beverly Hills (and New Jersey!). Does that mean that I’m subverting patriarchy from my couch? Just as “choosing” to post sexy selfies on Instagram doesn’t amount to a feminist act simply because you’ve decided to objectify yourself. It doesn’t make you a terrible person either. Do you see what I’m getting at here? If not, please refer back to point number three.

10) You have to be on the inside to understand/form a valid critique

OK, so let me get this straight. In order to be critical of anything (and in order for that critique to be legit), you have to actually be the thing you are critiquing? Does this also mean that women who haven’t been abused or raped can’t be critical of abuse and rape? Does it mean white people can’t be critical of racism? Does it mean men can’t say anything negative about prostitution because they themselves aren’t prostitutes? Am I not allowed to say that fast food is bad for you unless I eat a bunch of fast food?

This is the dumbest argument ever. If we left critical conversations only to the people who were actually doing whatever we were being critical of then nobody would get to say anything about anything ever. Ex: “Capitalism sucks!” “SHUT UP, YOU AREN’T A CAPITALIST. YOU DON’T GET IT. YOU’RE NOT ON THE INSIDE.” See what I’m getting at? Stop this crap. It’s illogical and anti-intellectual.

11) You’re a prude and you hate boobs

I also hate sex, men, vaginas, penises and joy. Can we move on?

But seriously. I have little to no interest in engaging with this silliness because it’s an anti-feminist, cheap, meaningless trope. Accusing feminists of being man/sex-haters because they speak against the exploitation of women is what sexist, anti-feminist men do. If you want to participate in that sort of thing, again, why are we talking? We clearly have different goals in life — yours being to ensure equality and freedom is never a thing, and mine to work towards women having “human being” status some day.

As a general rule of thumb you will notice that if you ever bother writing anything remotely critical about burlesque (which I doubt you will because, honestly, does anyone really give two shits about burlesque anymore? I feel like a broken record at this point…), people who like burlesque only like burlesque. They don’t bother engaging with other topics yet suddenly develop a passionate interest in whatever they’ve decided feminism is once someone starts talking about the inherent sexism in taking off one’s clothes and shaking one’s boobs for an audience. Your response should be: If you have no real interest in the feminist movement or in liberating women from patriarchal oppression, why are we talking? And then don’t talk to them anymore unless you get masochistic pleasure from being screamed at by people who once took half a Women’s Studies 101 class and left as soon as they heard the word subjectivity.

Roza Shanina, a female Soviet sniper who fought in World War II and got 54 confirmed hits. Allied newspapers called her, “the unseen terror of East Prussia.”

“The essence of my happiness is fighting for the happiness of others. It’s strange, why is it that in grammar, the word “happiness” can only be singular? That is counter to its meaning, after all. … If it turns necessary to die for the common happiness, then I’m ready to.” -Roza Shanina


Roza Shanina was a Soviet sniper during World War II, credited with fifty-four confirmed hits, including twelve soldiers during the Battle of Vilnius. Praised for her shooting accuracy, Shanina was capable of precisely hitting moving enemy personnel and making doublets (two target hits by two rounds fired in quick succession). She volunteered to serve as a marksman on the front line.

Allied newspapers described Shanina as “the unseen terror of East Prussia”. She became the first Soviet female sniper to be awarded the Order of Glory and was the first servicewoman of the 3rd Belorussian Front to receive it. Shanina was killed in action during the East Prussian Offensive while shielding the severely wounded commander of an artillery unit.

She was, as the Russians say, a terrifying Nazi slaughtering badass.


I don’t think the objectification of women is actually an accurate reflection of women’s sexuality, this is the problem. I feel like this manifestation is a gross exaggeration of men’s sexuality.

I do not think that the objectification of women is an accurate reflection of women’s sexuality, it’s a gross and inaccurate exaggeration of men’s sexuality. I think that it’s male bias that is causing this form of sexuality to be seen as our only option. Women are pretty much only allowed to display sexuality, when they’re behaving passively and submissively, paying more mind to mens’ desires than their own. We expect sexualized images of women to be highlighting women’s youth and naivety. If women are not young or naive, they’re often expected to behave as if they are, and if they can’t “pass”, they’re desexualized completely. Instances where women objectify men or express appreciation for mens’ bodies, for example, are seen as shocking, bold and out of the ordinary. They aren’t expected to ever be lustful, sexually forward or aggressive. Media that displays men in passive, sexually submissive positions is often assumed to be marketed toward gay men, rather than straight women. I think that if women were writing the songs and the music videos more often, we would see them behaving passively, acting as sex objects, fetishizing violence against women much less often. It’s true that women conform to norms and perpetuate these things to a certain degree too, but by nature of capitalism and the pressures of the market, women are forced to conform to male preferences in order to keep their head above water. In a society where women were just as likely to write a song as men were and were just as respected for it, they wouldn’t have to stick to our current “male-approved” topics. We’d see a wider variety of material coming out.

There is a huge difference between the way sexuality is treated in the music of Ani Difranco, Tori Amos and Fiona Apple, who cater to a largely educated female audience, and the way it’s treated in the music of Miley Cyrus and Taylor Swift, who cater to a mainstream “male-dominated” audience. Difranco, Amos and Apple are not prudes. They often sing love songs, songs about sexual desire, raw, emotional break up songs and raunchy odes with detailed descriptions of their partners’ bodies that would make you blush. Check out Fiona Apple’s Hot Knife, or Slow like Honey, or Limp, orPeriphery.

These songs are not that different content-wise from the Rihanna’s bedroom slow jams or Taylor Swift’s “He done me wrong” tunes. But there’s something distinct about them. In the Rihanna and Taylor Swift examples, I get the impression that their sentiments have been filtered and censored to be more palatable to men. In Cyrus’s “wrecking ball”, she’s saying she came in like a wrecking ball, but her body language in the video is the complete opposite of that. She’s laying completely submissively on top of the wrecking ball. She’s allowing the wrecking ball to completely control her. The video isn’t about Miley Cyrus’s experience with the person she’s singing about, it’s about the audience’s relationship with and sexual attraction to Miley Cyrus. Her actual voice is completely secondary.Taylor Swift always expresses anger within these strict confines, she needs to be a certain amount of “feminine” when she’s expressing anger at men. She can’t betoo loud or too violent or too weird or too crazy and emotional. She still has to be pretty, she still has to be pining for the guy on some level. In Fiona Apple’s songs, she talks about sex and having crushes and going through breakups, but it’s her pure voice that’s telling the story. It’s not sugar-coated to be more main-stream. It’s not feeding into an exaggerated corporate driven male fantasy.

They also don’t shy away from the aspects of sex that women have to deal with, that make men uncomfortable to hear. Ani Difranco’s Out of Range and Out of Habit use very graphic, explicit imagery to convey her experiences with men as a musician, and her experiences with the cyclical nature of domestic violence. Tori Amos famously talks about surviving rape, in me and a gun.

I think by virtue of allowing women to be in top, respected positions in mass media, by giving them more of a direct role in the creation of these structures, rather than allowing them to make choices within structures where men still make all the rules, we would break some of this cycle, by expand the material we display and consider to be acceptable, giving people a lot more options and consequentially reducing the amount of “peer pressure” that people face now in regard to objectification.

Objectification Theory

Objectification Theory is a psychological “framework for understanding the experiential consequences of being female in a culture that sexually objectifies the female body” (1, p. 173). “Objectification” means treating a person as an object or merely a body. Objectification runs from leering and catcalling to sexualizing portrayals in media such as TV shows, movies, advertisements, music videos, and pornography. Objectification Theory provides a way of understanding some of the problems that differentially affect women in our society and other Western societies. This effortpost focuses on objectification of the female body and subsequently neglects interactions between, for example, objectification and race, and the effects of objectification on men, though these topics have been investigated (see, e.g., Testing a Culture-Specific Extension of Objectification Theory Regarding African American Women’s Body Image and Reasons for Exercise and Body Esteem: Men’s Responses to Self-Objectification

  1. Objectification Theory: Toward Understanding Women’s Lived Experiences and Mental Health Risks. This is the paper that started Objectification Theory. Fredrickson and Roberts suggest that objectification may be at least partly responsible for the higher incidence of depression in women, sexual dysfunctions, and eating disorders. The suggested causal pathway is from objectification to self-objectification which results in habitual body-monitoring, which results in shame, anxiety, and distraction. This theory has received extensive empirical support to which I now turn.
  2. Objectification Theory and Psychology of Women: A Decade of Advances and Future Directions. This article provides a nice overview of research within the Objectification Theory framework, including objectification’s effects on men and interactions with race. The article displays the wide empirical support for Objectification Theory but also identifies limitations and directions for future research such as the need for more cross-cultural research and investigation of interactions with other variables such as age, socioeconomic status, and sexual orientation.
  3. Sexual Objectification of Women: Advances to Theory and Research. This article extends Objectification Theory to understanding substance abuse and presents a definition of “sexually objectifying environments” (SOEs) in which “(a) traditional gender roles exist, (b) a high probability of male contact exists (physically speaking, a male-dominated environment), (c) women typically hold less power than men in that environment, (d) a high degree of attention is drawn to sexual/ physical attributes of women’s bodies, and (e) there is the approval and acknowledgement of male gaze” (20-1). They give Hooters and related restaurants as examples of SOEs and suggest that more research be done into SOEs. Just such research will be discussed next.
  4. Experiencing Sexually Objectifying Environments: A Qualitative Study. This article uses the definition of SOE given above to investigate the experiences of 11 heterosexual female Hooters employees. The interviews highlight, among other things, the ambivalence the employees feel toward their job, the negative emotional effects of constant objectification, and competition with other women. I have to say, the concreteness and “realness” of this article can get depressing.
  5. Everyday Stranger Harassment and Women’s Objectification. This article presents an investigation into the negative effects of stranger harassment. They found that stranger harassment was positively related to self-objectification for women who reacted to stranger harassment with passivity and self-blame, but not for women who reacted with active coping strategies such as confronting the harasser. Stranger harassment was also positively related to women’s fear of and perceived risk of rape.
  6. A Test Of Objectification Theory: The Effect Of The Male Gaze On Appearance Concerns In College Women. In this study, female participants were made to believe that they would be interacting with a male or a female. Mere anticipation of male gaze, but not female gaze, resulted in greater body shame and anxiety, but no changes in dietary intent were seen.
  7. The Role of Body Objectification in Disordered Eating and Depressed Mood. This study provides support for Objectification Theory’s claim that objectification can lead to habitual body-monitoring, which can lead to depression and eating disorders.
  8. The Role of Self-Objectification in Disordered Eating, Depressed Mood, and Sexual Functioning Among Women: A Comprehensive Test of Objectification Theory. This article provides a more recent replication of the results of the previous study.
  9. My Body or My Mind: The Impact of State and Trait Objectification on Women’s Cognitive Resources. This paper investigates whether objectification can impair women’s cognitive performance. It was found that women prone to self-objectification had longer response latencies when performing in the presence of a male experimenter.

These studies represent a small sample of the psychological research on Objectification Theory. Here’s a link to a zip folder containing all the articles in this post.


Buy, Eat, Consume, Appear… Welcome to the Era of Media-Dictatorships!

Buy, Eat, Consume, Appear... Welcome to the Era of Media-Dictatorships!

This image is dedicated to young girls everywhere, who are constantly bombarded and sexually objectified by society, manufacturers and the media. You are conditioned to believe that your main goal in life is to become merely an ornament to please and gratify males, and only valued by your sexual attraction, instead of being nurtured of your attributes and talents, that can fulfill and empower you as a whole woman.