Restored color photograph of members of the Antarctic Shackleton Expedition and their dogs; ca. 1915
A member of the Scottish National Antarctic Expedition playing the bagpipes to an Emperor penguin (1904)
Some people say there has never been a good song with bagpipes. To them I say, it’s a long way to the top (if you wanna rock n’ roll).
Sir Ernest Shackleton’s Trans-Antarctic exploration vessel ‘Endurance’, as it sits stuck in sea ice, later to be crushed from the force and sink, 1915
Herbert Ponting: Captain Scott’s Antarctic Expedition (1910-1913)
His joy is to reproduce its pictures artistically, his grief is to fail to do so. -Captain Robert Scott, 1911
Herbert Ponting began his career in photography relatively late in life. After moving from Salisbury England to California in his early twenties, he dabbled unsuccessfully in mining and fruit-farming before turning to photography. He became correspondent on the Russo-Japanese war of 1904-05, and afterwards continued to travel around Asia, exploring Burma, Korea, Java, China and India. During this time he delivered magnificently created images back to newspapers, periodical and magazines, and in 1910 released his book In Lotus-land Japan.
In 1911 Ponting joined Scott’s British Terra Nova Expedition, which set out to collect scientific data about the Antarctic continent, with its main goal to reach the South Pole. Ponting was the first professional photographer on an Antarctic expedition and went on to set other precedents in Antarctica. He took some of the first still color photographs in Antarctica using auto chrome plates, and was one of the first men to use a cinematograph to capture short video sequences on the ice.
Coining the term to ‘pont’, meaning ‘to pose until nearly frozen, in all sorts of uncomfortable positions’, Ponting thought it imperative to get the picture just right. On the expedition he could often be found rigging up a device to allow himself to suspend from the ship, sometimes creating risky situations for himself and other crew mates.
During his fourteen months at Cape Evans he documented the Antarctic landscape, wildlife and expedition life, and often kept the men entertained by showing lantern slides of his travels through Asia.
Judged too old at the age of forty-two to sustain another grueling year on the ice, Ponting, along with eight other men, was sent home after the first year of the expedition. Back in England he was devastated to learn of the deaths of Scott and the Polar Party. He spent the remainder of his life lecturing on Antarctica and the expedition to ensure that the splendor of Antarctica and the heroism of Scott and his men would not be forgotten. His book The Great White South was published in 1921, and in 1933 his moving footage in full sound version Ninety Degrees South: With Scott to The Antarctic was released.
“The Sleeping Bag” (Herbert Ponting’s poem, outlining preferences on how to orient one’s reindeer-skin sleeping bag):
On the outside grows the furside. On the inside grows the skinside.
So the furside is the outside and the skinside is the inside.
As the skinside is the inside (and the furside is the outside)
One ‘side’ likes the skinside inside and the furside on the outside.
Others like the skinside outside and the furside on the inside
As the skinside is the hard side and the furside is the soft side.
If you turn the skinside outside, thinking you will side with that ‘side’,
Then the soft side furside’s inside, which some argue is the wrong side.
If you turn the furside outside – as you say, it grows on that side,
Then your outside’s next the skinside, which for comfort’s not the right side.
For the skinside is the cold side and your outside’s not your warm side
And the two cold sides coming side-by-side are not the right sides one ‘side’ decides.
If you decide to side with that ‘side’, turn the outside furside inside
Then the hard side, cold side, skinside’s, beyond all question, inside outside.