Human history becomes more and more a race between education and catastrophe.

I don’t think the objectification of women is actually an accurate reflection of women’s sexuality, this is the problem. I feel like this manifestation is a gross exaggeration of men’s sexuality.

I do not think that the objectification of women is an accurate reflection of women’s sexuality, it’s a gross and inaccurate exaggeration of men’s sexuality. I think that it’s male bias that is causing this form of sexuality to be seen as our only option. Women are pretty much only allowed to display sexuality, when they’re behaving passively and submissively, paying more mind to mens’ desires than their own. We expect sexualized images of women to be highlighting women’s youth and naivety. If women are not young or naive, they’re often expected to behave as if they are, and if they can’t “pass”, they’re desexualized completely. Instances where women objectify men or express appreciation for mens’ bodies, for example, are seen as shocking, bold and out of the ordinary. They aren’t expected to ever be lustful, sexually forward or aggressive. Media that displays men in passive, sexually submissive positions is often assumed to be marketed toward gay men, rather than straight women. I think that if women were writing the songs and the music videos more often, we would see them behaving passively, acting as sex objects, fetishizing violence against women much less often. It’s true that women conform to norms and perpetuate these things to a certain degree too, but by nature of capitalism and the pressures of the market, women are forced to conform to male preferences in order to keep their head above water. In a society where women were just as likely to write a song as men were and were just as respected for it, they wouldn’t have to stick to our current “male-approved” topics. We’d see a wider variety of material coming out.

There is a huge difference between the way sexuality is treated in the music of Ani Difranco, Tori Amos and Fiona Apple, who cater to a largely educated female audience, and the way it’s treated in the music of Miley Cyrus and Taylor Swift, who cater to a mainstream “male-dominated” audience. Difranco, Amos and Apple are not prudes. They often sing love songs, songs about sexual desire, raw, emotional break up songs and raunchy odes with detailed descriptions of their partners’ bodies that would make you blush. Check out Fiona Apple’s Hot Knife, or Slow like Honey, or Limp, orPeriphery.

These songs are not that different content-wise from the Rihanna’s bedroom slow jams or Taylor Swift’s “He done me wrong” tunes. But there’s something distinct about them. In the Rihanna and Taylor Swift examples, I get the impression that their sentiments have been filtered and censored to be more palatable to men. In Cyrus’s “wrecking ball”, she’s saying she came in like a wrecking ball, but her body language in the video is the complete opposite of that. She’s laying completely submissively on top of the wrecking ball. She’s allowing the wrecking ball to completely control her. The video isn’t about Miley Cyrus’s experience with the person she’s singing about, it’s about the audience’s relationship with and sexual attraction to Miley Cyrus. Her actual voice is completely secondary.Taylor Swift always expresses anger within these strict confines, she needs to be a certain amount of “feminine” when she’s expressing anger at men. She can’t betoo loud or too violent or too weird or too crazy and emotional. She still has to be pretty, she still has to be pining for the guy on some level. In Fiona Apple’s songs, she talks about sex and having crushes and going through breakups, but it’s her pure voice that’s telling the story. It’s not sugar-coated to be more main-stream. It’s not feeding into an exaggerated corporate driven male fantasy.

They also don’t shy away from the aspects of sex that women have to deal with, that make men uncomfortable to hear. Ani Difranco’s Out of Range and Out of Habit use very graphic, explicit imagery to convey her experiences with men as a musician, and her experiences with the cyclical nature of domestic violence. Tori Amos famously talks about surviving rape, in me and a gun.

I think by virtue of allowing women to be in top, respected positions in mass media, by giving them more of a direct role in the creation of these structures, rather than allowing them to make choices within structures where men still make all the rules, we would break some of this cycle, by expand the material we display and consider to be acceptable, giving people a lot more options and consequentially reducing the amount of “peer pressure” that people face now in regard to objectification.

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4 responses

  1. I agree totally. In my experience men are highly conflicted about their feelings of affection and sexual arousal. In real life this means they are only able to perform sexually within very restricted boundaries.

    December 15, 2013 at 3:14 am

  2. Sonic Youth’s “Swimsuit Issue” was always my favorite musical expression of this sort of sentiment. Kim Gordon seems a more substantial person than Fiona Apple anyway.

    December 17, 2013 at 9:48 pm

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    September 6, 2014 at 10:48 pm

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    September 7, 2014 at 6:20 pm

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